<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom"><title>Joe Drumgoole</title><link href="https://joedrumgoole.com/blog/" rel="alternate"/><link href="https://joedrumgoole.com/blog/feeds/all.atom.xml" rel="self"/><id>https://joedrumgoole.com/blog/</id><updated>2026-04-28T00:00:00+01:00</updated><entry><title>Colour Wheel for Oil Painters</title><link href="https://joedrumgoole.com/blog/colour-wheel-for-oil-painters.html" rel="alternate"/><published>2026-04-28T00:00:00+01:00</published><updated>2026-04-28T00:00:00+01:00</updated><author><name>Joe Drumgoole</name></author><id>tag:joedrumgoole.com,2026-04-28:/blog/colour-wheel-for-oil-painters.html</id><summary type="html">&lt;p&gt;An interactive RYB colour wheel for picking complements when desaturating oil paint, with pigment recommendations indexed by Colour Index code.&lt;/p&gt;</summary><content type="html">&lt;object data="https://joedrumgoole.com/blog/colour-wheel.svg" type="image/svg+xml" id="colour-wheel"
        style="width:100%;max-width:738px;height:auto;aspect-ratio:738/1070;display:block;margin:0 auto;"
        aria-label="Interactive RYB colour wheel for oil painters with pigment reference"&gt;
  &lt;img src="https://joedrumgoole.com/blog/colour-wheel.svg" alt="RYB colour wheel for oil painters" style="width:100%;max-width:738px;height:auto;display:block;margin:0 auto;" /&gt;
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&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;h2&gt;Understanding the Colour Wheel&lt;/h2&gt;
&lt;p&gt;This interactive RYB colour wheel is designed to help oil painters desaturate
colours cleanly and deliberately. Click on any colour segment to reveal its
complement — the colour directly opposite on the wheel.&lt;/p&gt;
&lt;p&gt;The three concentric rings show what happens as you progressively add that
complement to your base colour. The outer ring is the pure colour, the middle
ring shows it mixed with approximately 25% of its complement, and the inner
ring shows 55%. This is how professional painters knock back an over-saturated
colour without reaching for grey or white.&lt;/p&gt;
&lt;p&gt;The panel below the wheel shows the desaturation gradient in fine steps, along
with four reference swatches at useful mixing ratios. All hex values are shown
for digital reference.&lt;/p&gt;
&lt;p&gt;The pigment section lists the most commonly used oil pigments for each colour,
along with their &lt;strong&gt;Colour Index code&lt;/strong&gt; — the international standard printed on
every tube regardless of brand. If a tube says &lt;strong&gt;PR108&lt;/strong&gt;, it's Cadmium Red; if
it says &lt;strong&gt;PB29&lt;/strong&gt;, it's Ultramarine Blue — no matter what the manufacturer calls
it on the label.&lt;/p&gt;
&lt;p&gt;Each pigment is marked &lt;strong&gt;warm&lt;/strong&gt; or &lt;strong&gt;cool&lt;/strong&gt;, because two pigments that share
the same name can behave very differently at the mixing table. A warm blue
like Ultramarine will produce a very different neutral when mixed with a warm
red like Cadmium Red than a cool blue like Phthalo would. The opacity symbol
indicates whether the pigment is transparent (○), semi-transparent (◑), or
opaque (●), which matters when glazing or working wet into wet.&lt;/p&gt;
&lt;p&gt;Click anywhere on the background to return to the full wheel.&lt;/p&gt;</content><category term="Painting"/><category term="oil painting"/><category term="colour theory"/><category term="colour mixing"/><category term="complementary colours"/><category term="desaturation"/><category term="pigments"/></entry></feed>